Mitchell Johnson's cricketing career might be remembered for several stellar achievements.
For 313 Test wickets at a strike rate better than Shane Warne or Glenn McGrath, for defining one Ashes series with his misery and another with his brilliance, for reviving both flat-out fast bowling and the handlebar moustache that once characterised its greatest exponents.
You might remember him for that song; not since Paul McCartney released the Frog Chorus had a simple tune wrecked a reputation so effectively. You might remember him for the remarkable renaissance that followed, one of the great redemptive stories in any sport.
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